Review: Build Your House Around My Body

A twisted, fascinating story following multiple characters, locations and time periods in Vietnam. You’ll find yourself drawn into a web of stories inspired by Vietnamese folklore, colonialism and backpacker culture, unsure where one tale ends and anther begins.

These were the breed of strangling ficus that spent two hundred years braiding their bodies around a host tree, killing it while gradually assuming its form. Parasite, doppelgänger, sarcophagus. Winnie admired it. What she wished, she reflected dreamily, her whole back now leaning against the tree, was for the same thing to happen to her

Violet Kupersmith

Build Your House Around My Body is, to me, an example of perfect novel construction – an interesting, deeply thematic story where the author trusts us, readers, to figure out what’s going on and even if we don’t entirely understand it, that ends up not mattering because the writing style is so enthralling and engaging.

I’ve seen several reviews saying they didn’t really ‘get’ this book or didn’t understand the end or how the individual stories were connected. Whilst I understand why some people would feel this way, I don’t share these sentiments. All the things listed as negatives in these reviews I thought were absolutely brilliant. I wish more books were written like this instead of the clunky, overly-expositional writing I see in many other novels.

The book alternates between different characters and timelines, and this can be hard to follow, especially at first. However, the storyline is so compelling, and it’s really compelling as you start to understand how these different narratives come together. Some of our main characters include Winnie, a 20-something Vietnamese-American who has come to Saigon to teach English; Tan, a corrupt policeman; his brother Long, who works at the school with Winnie; their childhood friend Binh; a fortune-teller and his assistants; a small dog; an old woman selling lottery tickets, and a two-headed cobra.

I thought the characters were a perfect mix of engaging and repulsive. They were all very flawed and not really great people. I didn’t root for them at all which is usually a huge turn-off for me, but I was motivated to keep reading because their roles and stories were so interesting, layered and complex. I think this would be a great book to study in a literature class because there is so much to explore in terms of different themes, including Vietnamese folklore, ghost stories, trying to find belonging in a new country, the treatment of women, and backpacker culture in Vietnam.

In conclusion, I loved this book! I thought it was fascinating, sharp, creepy and highly compelling. I can tell that on re-reading, you’ll notice so much more about the story, and it will be like a completely different experience. It is slightly longer, but I think it’s so gorgeously written, and the pay-off is completely worth it. This is a book with so many nuances it’s impossible to explore in one review, but the author manages to pull it off expertly in these 400 pages.


Rating: 4.5/5

Read this if you liked: The Book of Form and Emptiness by Ruth Ozeki, The Mountains Sing by Nguyễn Phan Quế Mai, The Bread the Devil Knead by Lisa Allen-Agostini

Trigger warnings: alcohol, alcoholism, animal abuse, blood, body horror, colonialism, death, depression, drugs, emotional abuse, fire, murder, poisoning, rape, sexism, sexual assault, snakes, violence

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